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Martha Heimberg Salon: Robert Bly w/ special guest Laney Yarber

Photo by Alan Smithers

What: Martha Heimberg Salon
Topic: Robert Bly
When: Thursday, May 23, 7 pm
Where: Private residence
RSVP: Wordspace@wordspace.us
Special Guest Performance! Laney Yarber presents her latest work Pedestrian Dance.

Former long-time WordSpace Board Member Martha Heimberg facilitates an evening of analytical review and comparative investigations of works by Robert Bly. All with her inimitable warm hospitality and refreshments provided by WordSpace.

Martha Heimberg has been writing about theater, the arts and historic preservation for over 40 years for numerous Texas newspapers and magazines, including, D Magazine, Texas Monthly, and The Texas Tribune. She currently is a contributing theater critic and arts writer for Theater Jones and Dallas Weekly, and is a member of the American Theater Critics Association. She has won multiple awards from the Dallas Press Club and the Texas Historic Commission and is a founding member of the Dallas Fort Worth Theater Critics Forum, WordSpace, and the Historic Preservation League (now Preservation Dallas). Founder and coordinator of DART’s Poetry in Motion program, she currently serves on the board of directors of Junius Heights Historic District Association and Friends of Aldredge House. Her degrees in English and comparative literature are from Southern Methodist University. For over 40 years, she taught English and creative studies at Richland College, Southern Methodist University and Northwood University. She retired from full-time teaching in 2015, and now teaches a twice-weekly adult literacy class at Literacy Instruction for Texas (LIFT). She’s also a messy and ardent amateur painter, printer and potter.

SPECIAL PERFORMANCE!Pedestrian Dance. Award winning performance artist Laney Yarber presents her most recent work. Based on the dance theory and performance work of Steve Paxton.

Poet Robert Bly stands out even among the celebrated, revolutionary generation of American artists who burst forth in the 1950s; A Thousand Years of Joy charts Bly’s singular path from farmer’s son on a wintry Minnesota farm to radical anti-Vietnam War activist to wild man of the 1990’s men’s movement. The bespectacled, white-haired Bly is every inch the politically and spiritually engaged mystic, seeking each moment’s fervid heart as well as the eternal, intuitive bedrock beneath our cultivated ideologies and “personas.” He was one of the first to translate Pablo Neruda, Rumi and other ecstatic Sufi poets, and his work with Joseph Campbell—exploring the metaphorical, psychological terrain of myth and ritual—led to the unexpected pop culture phenomenon of Iron John. A confounding whirling dervish, Bly’s life embodies the quest for personal honesty and shared truth.

Filmed over four years in five states and two countries, his film features Louise Erdrich, Jeff Gordinier, Donald Hall, Edward Hirsch, Jane Hirshfield, Garrison Keillor, James Lenfestey, Philip Levine, Michael Meade, Mark Rylance, Martin Shaw, Martin Sheen, Gary Snyder, Tracy K. Smith, Gioia Timpanelli, Lewis Hyde, Martin Prechtel, Roger Bonair-Agard, and other luminaries from the world of culture.

Poet Jane Hirshfield says, “Robert Bly, as few other poets have done, has changed the world for all who now share it.” Bly’s prolific output has nourished the American cultural landscape for over half a century and influenced countless generations of writers and thinkers.

Director Haydn Reiss has made a series of documentaries on poets that have aired on PBS, including William Stafford & Robert Bly: A Literary Friendship and the award-winning Rumi: Poet of the Heart. Reiss’ 2009 film, Every War Has Two Loserswas a 2011 winner at the Canadian International Film Festival and an official selection of the 2011 United National Film Festival.

“Robert is mercurial, no matter what you think you know about him, he will surprise you again and again,” says Reiss. “Bly’s metamorphosis from Midwestern farm boy to global troubadour, and all the troublemaking and gift-giving in between, is what keeps drawing me back to him as a subject.”S


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