Archive for the ‘Events’ Category

Vicki Meek |Sara Cardona

When and Where: 7-9 pm | Saturday August 27 | Mighty Fine Arts (Oak Cliff)

Vicki Meek is recognized as an artist, curator, writer, organizer and arts advocate, Meek’s career embodies the ethos of the Texas Artist of the Year award she received from Art League Houston in 2021. Meek’s multimedia, interdisciplinary practice focuses on cultural memory, identity, and social issues in relation to the African diaspora, underscored by an underlying hope and emphasis on collective healing. This sense of hopefulness is highlighted throughout much of Meek’s practice, which prioritizes and supports forgotten, left behind histories and identities. Meek’s singular aesthetic and artistic practice are related to the late Elizabeth Catlett (Meek’s mentor) and African cosmology and spiritual practices. “As an artist obtaining a Master of Fine Arts at the height of the Black Power Movement, it is not surprising that my work embraces a political outlook, especially given that my artistic idols are Elizabeth Catlett, Jacob Lawrence and Romare Bearden. The aesthetic I developed both the notion of utilizing text and symbolism derived from West Africa and other parts of the African diaspora, while striving to educate the viewer on lost history and social issues.  Born and raised in Philadelphia, Meek is a nationally recognized artist who has exhibited widely and represented by Talley Dunn Gallery, Dallas, Texas. Her work can be found in the permanent collections of the African American Museum of Dallas; The Museum of Fine Arts, Houston; Fort Wayne Museum of Art; Paul Quinn College; Serie Project; and Norwalk Community College. Meek was selected as one of ten national artists to celebrate the 10th Anniversary of the Nasher Sculpture Center with the commissioning of a site-specific installation that was part of Nasher XChange (October 2013 through February 2014). Meek’s retrospective, Vicki Meek: 3 Decades of Social Commentary, opened in November 2019 at the Houston Museum of African American Culture. In January 2020, she premiered an art video at Denton Black Film Festival, signaling a new period of creating work using video as the primary medium. Meek is the recipient of numerous grants and honors including the National Endowment for the Arts NFRIG Grant; the Dallas Observer MasterMind Award; the Dallas Museum of Art Otis and Velma Davis Dozier Travel Grant; Texas Black Filmmakers Mission Award; Women of Visionary Influence Mentor Award; and the Dallas Women’s Foundation Maura Award. She received the African American Museum of Dallas A. Maceo Smith Award for Cultural Achievement. In 2016, Meek retired as the Manager of the South Dallas Cultural Center. She has served on the board of the National Performance Network/Visual Artists Network, a Fellow in the Intercultural Leadership Institute, Voting Member of Alternate Roots, and as Chief Operating Officer of USEKRA: Center for Creative Investigation, a retreat for creatives in Costa Rica founded by internationally acclaimed performance artist Elia Arce. She is also Dallas Mayor Eric Johnson’s at-large appointment to the Arts and Culture Commission and the Public Art Committee. Meek is also writes cultural criticism for Dallas Weekly with her blog Art & Racenotes. (WordSpace also claims Vicki Meek as a valued Advisor collaborator on numerous programming partnerships. Thank you!)  www.vickimeekart.com

Sara Cardona was born in Mexico City and grew up in Texas. Her art has been exhibited all over the United States and Mexico. She holds an MFA in Fine Arts from Temple University and a B.A. from the University of Texas at Austin in the honors program, Plan II, where she specialized in the Latin American Studies Program. Sara was formerly a cultural program coordinator for the Latino Arts Initiative for the Office of Arts and Culture for the City of Dallas, a Humanities instructor at Richland Community College where she initiated the Mexican-American/Latin American Studies program and was chair, and as an independent researcher in the area of Latin American art for leading universities and museums such as UT Dallas, The Amon Carter Museum, and The Meadows Museum. A former board member of Teatro Dallas, she stepped into the position of executive director in 2018. Cardona’s elegant visual art has been widely exhibited and acclaimed. “Using the analog process of cut-and-paste collage, Sara Cardona’s works on paper are a nod to the tradition of assemblage and the pre-digital editing process of film. The forms created are based on the detritus of human movement across space and time, evolving and devolving into baroque and poetic forms.” Take a look: www.saracardona.com 
(WS is also proud to claim Cardona as former board member—Thank you for your service, Sara!


Lit Hop 22 Artist Bios

SOPHIA DEMBLING | DEBBIE SCALLY 
Hosted by Karen Minzer

When and Where: 2-4 pm |Saturday, July 16 | Lucky Dog Books (East Dallas

Sophia Dembling is author of The Introvert’s Way: Living a Quiet Life in a Noisy World and Introverts in Love: The Quiet Way to Happily Ever After. Sophia also is the author of 100 Places in the USA Every Woman Must GoThe Yankee Chick’s Survival Guide to Texas and co-author ofThe Making of Dr. Phil: The Straight-Talking True Story of Everyone’s Favorite Therapist and I Can Still Laugh: Stories of Inspiration and Hope from Individuals Living with Alzheimer’s.Her essays and articles have appeared in newspapers and magazines nationwide, including regularly penned articles in Psychology Today.She is a native of New York City who transplanted to Dallas to work as a staff writer for the Dallas Morning News. She is widely traveled and was married for thirty years to Dallas musician Tom Battles, who passed away in 2020. She is a political activist and focuses much energy on voter registration and women’s rights, placing herself in active protests and support of political candidates that advocate on behalf of equal rights. www.sophisdembling.com

Deborah Scally is an assistant professor of humanities at the University of Texas at Dallas. She writes mostly about anime and manga. This book explores anime auteur Hayao Miyazaki’s films through the lens of the monomyth of the Heroic Quest Cycle. According to Joseph Campbell and other mythology researchers, the Quest is for boys and men, with women acting as either the Hero’s mother or the Prize at the end of the journey. Miyazaki nearly exclusively portrays girls and young women as heroes, arguing that we must reassess Campbell’s archetype. The text begins with a brief history of animation and anime, followed by Miyazaki’s background and rise to prominence. The following chapters look at each of Miyazaki’s films from the perspective of the Heroic Quest Cycle, with the last section outlining where Miyazaki and other animators can lead the archetype of the Hero in the future.

VICTORIA LOPEZ | ANNIE TRAN | SHAHRZAD HAMZEH | PRISCILLA SUAREZ |LINDA ROMERO | HOSTED BY OPALINA SALAS

When and Where: 7-9 pm | Saturday July 30 | Top Ten Records (Oak Cliff)

Victoria Lopez is an author and the 2022 City of McAllen Poet Laureate. In 2015, she began to introduce herself as a writer and built her confidence by engaging with the community. Her first novel, Fire in May, was published in 2016, the same year she was selected as a tenant of the McAllen Creative Incubator. Victoria writes “Poetry on Demand,” a performative demonstration of spontaneous writing. Using her typewriter, you may give her a word, topic, phrase, question, feeling, or thought and she’ll write you a poem to either keep or share with someone you love! “The most important thing about being a writer is identifying who you are and what you represent, what is your mission? What are you putting into the world? Spend time with yourself and be gentle, the words will come, and when they do, let them be authentic.” You can join Victoria for “Unfolded: Poetry Project” workshops at the McAllen Creative Incubator. 

Annie Tran is Assistant Editor of Reunion Literary Magazine at University of Texas at Dallas. She is a second-year M.A. Literature student with a B.A. in Literary Studies, and a minor in Creative Writing from UTD. She is a cisgender asexual writer, train enthusiast, lover of Greek mythology, and she experiments with the concept of“word butter” in her writing. Her work appears in Oddball MagazineWingless DreamerDrunk Monkeys, and more.

Shahrzad Hamzeh is a doctoral student at The University of Texas at Dallas majoring in Visual and Performance studies with a focus on dance. She hopes to influence the inclusion of Persian dance and other Iranian performances to the dance curriculum. She is an Iranian Researcher, Dancer, Choreographer, Model, Actress, Producer, Director, Dramaturge, Poet, Writer, Photographer, and Artist. Hamzeh’s current research interests are dance and religion, dance and sexuality, dances of Silk Road, ritualistic dance, and healing by dance. She left her home country to pursue her passion for dance due to the illegality of dance in Iran. She first started dancing when she was five years old with her sister’s guidance and continued to self-train through instructional CDs and movies, classes on aerobics and rhythmic movements at the local gyms and trained to be a Zumba instructor by the time she was 20 years old. Her love of dance lead her to Arezou Zare, who taught her the intricacies of Bollywood and some amateur Russian dancing. While she was getting her BA in Urdu Language & Literature at the University of Tehran she studied Kurdish dancing with Vria Boojar and Asu Naderi. This led to her appearance in Aziz-E Shahngal directed by Qodbeddin Sadeghi. She simultaneously trained in Classical and Modern Persian dances, Azeri, Turkish, Spanish Belly Dancing, and Sevianna with Mina Moradi for four years. She felt the need to know more about the history of what she was being taught. This decision led to her graduation with a MA in Theatre Studies from Illinois State University. While a student at Illinois State University she presented papers on dance and performance in Iran, and taught classes on Persian dances, Belly dancing, Kurdish, and Azeri, lectures and movement. 

Priscilla Celina “Lina” Suarez is a Mexican American author who was the 2015-17 McAllen Poet Laureate. She is co-founder of the Gloria Anzaldúa Legacy Project (GAL) which was formed to honor the legacy of Anzaldúa and share her work with a broader public. During her childhood, she lived surrounded by the farmlands of the then small colonia of Las Milpas, TX, where she first heard many of the cuentos she shares in Cuentos Wela Told Me. Her poetry collection, La La Landia: A Journey Through my Frontera CD Shuffle, was released in April 2022 from FlowerSong Press.

Linda Feliciana Romero is from Harlingen, Texas and has been published in Boundless, the anthology for the Rio Grande Valley International Poetry Festival, Along the River 2: More Voices from the Rio Grande (VAO Publishing), Twenty: In Memoriam (El Zarape Press), and La Bloga. She was nominated for a Pushcart Prize in 2018 for her poem, “In the Passenger Seat” by El Zarape Press which appeared in Boundless 2017. She is a Certified Academic Language Therapist and has a private practice providing dyslexia therapy. Photo by: Anaia Irish Funtanilla.

Opalina Salas is a Dallas-based poet queen of the Oak Cliff poetry scene, where she hosts the Poets on X+ Open Mic at MFA Gallery and popular host for many WordSpace events. She has performed in venues and lit fests all over the U.S. and regularly contributes to the Mad Swirl Open Mic. She and her poet husband, Carlos Salas also founded an electronica/spoken word duo, Your Loving Son. Salas is included in the Beatest State in the Union, and multiple lit zines. Her book Black Sparrow Dress. The title simultaneously puns and tributes one of the great historic poetry presses and publishers of many of her favorite books. In her own words, her poetry collection is “about recalling the past and letting go. It’s about the town I call home and the poets I call friends. It’s about love and remorse, outrage and abandonment, but also hope. It’s about a woman’s journey through changes; aging, addictions, laments, misgivings, to eventual empowerment.”

CELIA ALVAREZ MUNOZ | NANCY REBAL
Hosted by Karen Minzer

When and Where: 7-9 pm | Wednesday August 10 | Bathhouse Cultural Center (East Dallas)
H

Celia Alvarez Munoz was born in El Paso, Texas in 1937, Álvarez Muñoz is a conceptual multimedia artist currently living and working in Arlington, Texas. She is recognized internationally for her diverse and multifaceted body of work including artist books, photography, painting, written text, installation and public art. Álvarez Muñoz states that the mission driving her artistic practice has always been one of an “Artivist”: an artist and activist. This ideology and philosophy underscores much of her career and work. As a child, her father was deployed to Alaska and Germany, leaving Álvarez Muñoz in the care of her mother, aunt and maternal grandmother in El Paso. Her childhood experiences and youth living in the borderlands inspired much of her later creative practice, referencing dichotomous cultures, values and language complexities found along the U.S.-Mexico border, along with the physical, psychological and socio-political issues of life along the border zone. In college she studied art of all levels, receiving her BA in Art from Texas Western University (now University of Texas, El Paso), and started a career in teaching art to children upon graduation. She also worked in advertising as a fashion illustrator prior to graduating from college. Álvarez Muñoz, her husband, and their two small children relocated throughout the U.S. several times before finally moving to Arlington. Álvarez Muñoz enrolled in graduate school at North Texas State University (now University of North Texas, Denton) in 1977, where she studied with known Texas artists Vernon Fisher and Al Souza. During her studies, she began work on her well-known Enlightenment series, a multimedia, conceptual visual book and language project including a total of ten works she created over a span of about five years. Enlightenment visually portrays the confusing and often erroneous misunderstandings caused by language barriers, cognitive development, and language acquisition. Throughout the series, the artist plays with text, puns, and double meanings she experienced growing up along the Mexican border. The dominant themes of her bilingual and bicultural heritage, as well as an emphasis on education and educational principles (referencing her work as a teacher throughout much of her career), are seen throughout the Enlightenment project, as well as her oeuvre, with later photographs and works addressing these still current and poignant experiences. Álvarez Muñoz recalls numerous moments of both a personal and historical importance as key landmarks in her practice and development as an artist. The following are key historical and personal moments that have impacted and continue to influence my career: 1)A dramatic demographic shift in El Paso with the settlement of The Chamizal Treaty. 2) Installations/collaborations with retirement communities remembering Snugg Harbor in New York’s Staten Island, and Cerveceria Carta Blanca in Monterrey, Mexico. 3) An airport in Phoenix, Arizona’s connection to WW II. 4) Protest to unfair women’s labor practice in the manufacturing industry in the USA and Manchester, England. 5) Roswell, New Mexico’s attitude towards its “aliens.” 6) A coming-out GBL Texas community’s move to San Francisco, California.  7) San Antonio’s convention center expansion hinge honoring regional music.  8) San Antonio River links a park to the history and function of its river.  9)San Antonio’s main plaza reveals a multitude of its stories.  10) A protest installation with SMU/West Dallas due to the Calatrava Bridge and the gentrification in the once segregated Hispanic demographic. 11) A protest to the feminicides in Mexico’s Cuidad Juárez NAFTA maquiladoras.  12) An Austin, Texas library’s acknowledgement to its power and water treatment plants. 13) Participation in “Radical Women: Latin American Art, 1960-1985” at The Hammer Museum, Los Angeles, California (2017), followed by travel to The Brooklyn Museum, Brooklyn, New York, and Pinacoteca de São Paulo, São Paulo, Brazil (2018).  My mission in art making has always been one of an Artivist – I am an artist and an activist.”These experiences and accomplishments as an Artivist have left an indelible impact on Álvarez Muñoz’s laudable and prolific career, who is recognized by numerous awards and achievements. In 1995, she received the Honors Award for Outstanding Achievement in the Visual Arts from the Women’s Caucus for Art. Prior to this award, Álvarez Muñoz received two National Endowment for the Arts grants for both Photography and New Genres (1988 and 1991); she is also the recipient of the CAA Committee on Women in the Arts Recognition Award, and the Outstanding Centennial Alumnus award by the University of North Texas College of Arts and Sciences. In 2009, Roberto Tejada (the Hugh Roy and Lillie Cranz Cullen Distinguished Professor at the University of Houston) published a book on Álvarez Muñoz and her work (Celia Álvarez Muñoz, (UCLA Chicano Studies Research Center Press; University of Minnesota Press.) Álvarez Muñoz’s work has been featured in numerous national and international solo and group exhibitions of note, including: University of Texas at El Paso; Whitney Biennial; Museum of Contemporary Art San Diego; Dallas Museum of Fine Art; Capp Street Project; University of Texas at Arlington; Station Museum of Contemporary Art; and the Radical Women: Latin American Art, 1960-85, at the Hammer Museum and Brooklyn Museum, Brooklyn, New York, followed by the Pinacoteca de São Paulo, São Paulo, Brazil, 2018), among others. She is represented in numerous public and private collections throughout the states, including the Art Institute of Chicago; Getty Research Institute; Museum of Contemporary Art; and the Houston Museum of Fine Arts; and Texas Commission on the Arts 2021 Artist of the Year.

Nancy Rebal  received her BA from American University in Washington DC, studied design at the Art Center College of Design in Pasadena, CA and earned a MA and MFA from the University of Dallas. She was granted a residency at Rocky Mountain Women’s Institute and two from Vermont Studio Center. She is a co-creator of the interactive public art- work STATIONS: creating the Collective Voice of Forgiveness which has traveled through the US, Ireland and Africa. NancyRebal’s artist-career spans over forty-five years in a wide variety of ap- plications. She spent years managing a design studio in Los Angeles after a stint as a graphic de- signer for The Hollywood Reporter. When she moved to Denver, she returned to painting and was represented by Kyle Belding Gallery and taught art at the University of Colorado. After moving to Texas she was represented by Edith Baker Gallery then Craighead Green Gallery. She resigned from galleryrepresentation in 2007. She taught art at the University of Dallas. Since 1995 she has painted major crucifixes, stations of the cross and shrines for Catholic churches, also designing numerous stained-glass programs for Foster-Stained Glass of Bryan, Texas. Rebal is a founding artist of Corsicana Artist & Writer Residency. Painting and sculpture are now herprimary concerns. She works in a 5000 sq.ft. studio, originally the 1924 L T Davis grocery store, across the street from the100W building of the Corsicana Residency. Recently, she became business partners with Jean Searcy in co-foundingArtTown Corsicana, LLC, restoring historic buildings in Corsicana to be used as studio spaces for visiting artists and writers. She lives in both Corsicana and Dallas with her husband David Searcy.

VICKI MEEK | SARA CARDONA

When and Where: 7-9 pm | Saturday August 27 | Mighty Fine Arts (Oak Cliff)

Vicki Meek is recognized as an artist, curator, writer, organizer and arts advocate, Meek’s career embodies the ethos of the Texas Artist of the Year award she received from Art League Houston in 2021. Meek’s multimedia, interdisciplinary practice focuses on cultural memory, identity, and social issues in relation to the African diaspora, underscored by an underlying hope and emphasis on collective healing. This sense of hopefulness is highlighted throughout much of Meek’s practice, which prioritizes and supports forgotten, left behind histories and identities. Meek’s singular aesthetic and artistic practice are related to the late Elizabeth Catlett (Meek’s mentor) and African cosmology and spiritual practices. “As an artist obtaining a Master of Fine Arts at the height of the Black Power Movement, it is not surprising that my work embraces a political outlook, especially given that my artistic idols are Elizabeth Catlett, Jacob Lawrence and Romare Bearden. The aesthetic I developed both the notion of utilizing text and symbolism derived from West Africa and other parts of the African diaspora, while striving to educate the viewer on lost history and social issues.  Born and raised in Philadelphia, Meek is a nationally recognized artist who has exhibited widely and represented by Talley Dunn Gallery, Dallas, Texas. Her work can be found in the permanent collections of the African American Museum of Dallas; The Museum of Fine Arts, Houston; Fort Wayne Museum of Art; Paul Quinn College; Serie Project; and Norwalk Community College. Meek was selected as one of ten national artists to celebrate the 10th Anniversary of the Nasher Sculpture Center with the commissioning of a site-specific installation that was part of Nasher XChange (October 2013 through February 2014). Meek’s retrospective, Vicki Meek: 3 Decades of Social Commentary, opened in November 2019 at the Houston Museum of African American Culture. In January 2020, she premiered an art video at Denton Black Film Festival, signaling a new period of creating work using video as the primary medium. Meek is the recipient of numerous grants and honors including the National Endowment for the Arts NFRIG Grant; the Dallas Observer MasterMind Award; the Dallas Museum of Art Otis and Velma Davis Dozier Travel Grant; Texas Black Filmmakers Mission Award; Women of Visionary Influence Mentor Award; and the Dallas Women’s Foundation Maura Award. She received the African American Museum of Dallas A. Maceo Smith Award for Cultural Achievement. In 2016, Meek retired as the Manager of the South Dallas Cultural Center. She has served on the board of the National Performance Network/Visual Artists Network, a Fellow in the Intercultural Leadership Institute, Voting Member of Alternate Roots, and as Chief Operating Officer of USEKRA: Center for Creative Investigation, a retreat for creatives in Costa Rica founded by internationally acclaimed performance artist Elia Arce. She is also Dallas Mayor Eric Johnson’s at-large appointment to the Arts and Culture Commission and the Public Art Committee. Meek is also writes cultural criticism for Dallas Weekly with her blog Art & Racenotes. (WordSpace also claims Vicki Meek as a valued Advisor collaborator on numerous programming partnerships. Thank you!) www.vickimeekart.com

Sara Cardona was born in Mexico City and grew up in Texas. Her art has been exhibited all over the United States and Mexico. She holds an MFA in Fine Arts from Temple University and a B.A. from the University of Texas at Austin in the honors program, Plan II, where she specialized in the Latin American Studies Program. Sara was formerly a cultural program coordinator for the Latino Arts Initiative for the Office of Arts and Culture for the City of Dallas, a Humanities instructor at Richland Community College where she initiated the Mexican-American/Latin American Studies program and was chair, and as an independent researcher in the area of Latin American art for leading universities and museums such as UT Dallas, The Amon Carter Museum, and The Meadows Museum. A former board member of Teatro Dallas, she stepped into the position of executive director in 2018. Cardona’s elegant visual art has been widely exhibited and acclaimed. “Using the analog process of cut-and-paste collage, Sara Cardona’s works on paper are a nod to the tradition of assemblage and the pre-digital editing process of film. The forms created are based on the detritus of human movement across space and time, evolving and devolving into baroque and poetic forms.” Take a look: www.saracardona.com
(WS is also proud to claim Cardona as former board member—Thank you for your service, Sara!

Former WS Director will host two events for the 2021 Lit Hop: Karen Minzer (aka with an X) is a beat up beat down phoenixed neo beat still tripping poet performer and recent humanities abd phd primarily mentored by the great Fred Curchack, Dr. Shilyh Warren and Dr. Kimberly Hill at University of Texas at Dallas, where she also enjoys the privilege of teaching rhetoric and u.s. history. She has six chapbooks of poetry–all published by either historic Paris Records label or the legendary Roxy and Judy Gordon’s Wowapi. She’s included in Christopher Carmona and Chuck Taylor’s edited anthology, Beatest State in the Union and holds an MFA in Creative Writing from Naropa University where in the ’70s she began a long-term mentorship with Allen Ginsberg. Mairead Case was influential and integral to the more recent Naropa certification adventure. Minzer’s most recent manuscript resides in the Allen Ginsberg Library. Subsequently, Joe Milazzo recently lent a helping hand to re-sequence the pieces. Since then, it’s been kind of dead in the water publishing-wise due to the time-consuming rigors of doctoral process. But an excerpt appears in a cool lit mag, Entropy: “What Kind of Person—A Playlist.” The full manuscript has the same title and can be described as a sui generis collection of subjective, sometimes gossipy biographical sketches, essays and a few contemplative poems mostly influenced by Sei Shonagon, Michel de Montaigne, and Harry Matthews—and beat confessional tendencies. Minzer has worn many hats for WordSpace—as producer and performer in multiply-staged iterations of Dharma Broads; assisting Robert Trammell and later Ben Fountain as a series coordinator and event dishwasher—evolving into a nine-year tenure as director of this awesome literary organization started by The Trammells and Jerry Kelley–and pushed through by other brilliant and talented writers and thinkers. You should check out the list of former WordSpace board members on the website to get an idea of the history of influences on WordSpace. Minzer is currently compiling a creative nonfiction storytelling project of Dallas lit arts comprising oral interviews and gossip, archival research, and Dallas socio/political history.

POSTED IN: UNCATEGORIZED

Comments are closed.Sign Up For our E-Mailout!


Walter Mosley @ Arts and Letters Live

Virtual Event: Walter Mosley

Monday, February 8, 7:00 p.m.

Recording available through February 22  Promotional Partner: Wordspace  

Live virtual event

Walter Mosley‘s infamous detective Easy Rawlins is back, with a new mystery to solve on the sun-soaked streets of Southern California. Ezekiel “Easy” Porterhouse Rawlins is an unlicensed private investigator turned hard-boiled detective who is always willing to do what it takes to get things done in the racially charged, dark underbelly of Los Angeles. But when Easy is approached by a shell-shocked Vietnam War veteran—a young white man who claims to have gotten into a fight protecting a White woman from a Black man—he knows he shouldn’t take the case. Though he sees nothing but trouble in the brooding ex-soldier’s eyes, Easy, a vet himself, feels a kinship form between them. Easy embarks on an investigation that takes him from mountaintops to the desert, through South Central and into the homes of the fabulously wealthy, facing hippies, the mob, and old friends perhaps more dangerous than anyone else. Set against the social and political upheaval of the late 1960s, Blood Grove is ultimately a story about survival, not only of the body but also of the soul.  

Winner of the 2020 Medal for Distinguished Contribution to American Letters from the National Book Foundation, Walter Mosley is one of America’s most celebrated and beloved writers.  Widely hailed as “incomparable” (Chicago Tribune) and “dazzling” (Tampa Bay Times), he has won numerous awards, including a Grammy, a PEN USA’s Lifetime Achievement Award, and several NAACP Image Awards. 

“A new Easy Rawlins novel is always big news in crime-fiction circles, and this fifteenth entry in the series does not disappoint.” —Booklist  

TICKET PRICES

Virtual ticket + book with signed bookplate shipped directly to your home:

Public: $40

DMA Member/Educator/Student: $38

Vitual ticket only:

Public: $12

DMA Member/Educator/Student: $10


Shit Show Holiday Open Gallery

Shit Show Holiday Open GalleryWhat: Group Exhibit
When:
 December 19, 6-9 pm
Where: Mighty Fine Arts, 409A N. Tyler St., 75208Featuring very affordable pieces by Brett Ardoin, Jason Cohen, Katherine Lilly, Dwayne Carter, Cynthia Ann Miro, Sharon Neel Bagley, Matt Bagley, Susan Duval, Andy Don Emmons, Teresa Megahan, Dan Oliver and Manuel Pecina. ALL COVID PROTOCOL WILL BE OBSERVED! 
                        MASKS REQUIRED!

SHERYL ST. GERMAIN

WHAT: 50 Miles, Book Launch (free event)
WHEN: MARCH 3, 2020 at 7:00 p.m. – 9:00 p.m.
WHERE: Interabang Books 5600 W. Lovers Lane #142 Dallas, TX 75209

Etruscan Press, 2020

WordSpace is pleased to partner with Interabang Books to present this book release celebration!

50 Miles, (Etruscan Press, 2020) by Sheryl St. Germain is a memoir in linked essays that addresses addiction and alcoholism. The book traces the life of the author’s son, Gray, a talented but troubled young man, and his death from a drug overdose at thirty, as well as the author’s own recovery from substance abuse.She was named Louisiana Writer of the Year in November 2018.

Sheryl has taught at The University of Texas at Dallas, The University of Louisiana at Lafayette, Knox College, Iowa State University and Chatham University, where she served as Director of the MFA in Creative Writing for 14 years. She is the co-founder and director of the Words Without Walls Program.

Sheryl’s poetry books include Going Home (Perivale), The Mask of Medusa (Cross Cultural Communications), (chapbooks) Making Bread at Midnight, (Slough Press) How Heavy the Breath of God, The Journals of Scheherazade (University of North Texas Press), and Let it Be a Dark Roux: New and Selected Poems (Autumn House Press). She has also published a chapbook of translations of the Cajun poet Jean Arceneaux, Je Suis Cadien (Cross Cultural Communications).

She has published three memoirs, Swamp Songs: the Making of an Unruly Woman (University of Utah Press), Navigating Disaster: Sixteen Essays of Love and a Poem of Despair (Louisiana Literature Press), and, most recently, Fifty Miles, Etruscan Press, 2020.

She co-edited, with Margaret Whitford, Between Song and Story: Essays for the 21st Century (Autumn House Press). With Sarah Shotland she co-edited Words Without Walls: Writers on Addiction, Violence and Incarceration, (Trinity University Press).

She published a new poetry collection, The Small Door of Your Death, in Spring 2018 with Autumn House Press. A collection of essays, Fifty Miles, is forthcoming with Etruscan Press in January 2020.

A native of New Orleans, Sheryl has taught creative writing at The University of Texas at Dallas, The University of Louisiana at Lafayette, Knox College, and Iowa State University. Her work has received several awards, including two NEA Fellowships, an NEH Fellowship, the Dobie-Paisano Fellowship, the Ki Davis Award from the Aspen Writers Foundation, and the William Faulkner Award for the personal essay.


Harry McNabb

What: Poets on X+ Feature Reading Series and Open Mic
When:
 Friday, October 11, 7:00 p.m.
Where: Mighty Fine Arts Gallery, 409A N. Tyler St. Dallas, TX 75214
Hosted by: Opalina and Carlos Salas

Harry McNabb is a writer of short fiction. He has just published his first collection of funny and emotionally intimate yarns in a book titled Vacuum Stories.

Wine available, BYOB

WordSpace is proud to sponsor the Poets on X + Feature Reading Series and Open Mic every second Friday of the month!


Farid Matuk

Friday, February 28 7:00 p.m.
Latino Cultural Center
2600 Live Oak Street
Dallas, TX 75204

Farid Matuk is the author of the poetry collections This Isa Nice Neighborhood and The Real Horse. The recipient of grants and residencies from The Headlands Center for the Arts and The Lannan Foundation, Matuk teaches in the MFA program at the University of Arizona and in 2020 will serve as the Holloway Visiting Professor in Poetry & Poetics at UC Berkeley. His collaboration with Colombian visual artist Nancy Friedemann-Sánchez is forthcoming from Singing Saw Press. 


Guillermo Gomez Pena


Wednesday, April 22, 2020 at 7:00 p.m.
Latino Cultural Center
2600 Live Oak Street Dallas, TX 75204

Guillermo Gómez-Peña is a Chicano performance artist, writer, activist, and educator. He was born in Mexico City, and moved to the U.S. in 1978, earning a BA and MA at California Institute of the Arts. He has created work in multiple media, including performance art, experimental radio, video, photography and installation art. Gómez-Peña’s eight books include essays, experimental poetry and chronicles in both English, Spanish, and Spanglish; his books include The New World Border: Prophecies, Poems, and Loqueras for the End of the Century (2001) and Codex Espangliensis: From Columbus to the Border Patrol (2001). He is a founding member of the art collective Border Arts Workshop/Taller de Arte Fronterizo and artistic director of the performance art troupe La Pocha Nostra. Gómez-Peña received many honors, including a US Artists fellow award (2012) and a MacArthur fellowship (1991), the first Chicano artist to receive the award. He currently lives and works in San Francisco.

WordSpace is honored to partner with the Latino Cultural Center


Tongo Eisen-Martin

African Diaspora – New Dialogues
Thursday, November 7th at 7:00 p.m.
South Dallas Cultural Center
3400 S. Fitzhugh Dallas, TX 75210
Hosted by Ernest Mcmillan

WordSpace is proud to partner with the South Dallas Cultural Center to produce the 6th season of African Diaspora – New Dialogues Series.

Tongo Eisen-Martin was born in San Francisco and earned his MA at Columbia University. He is the author of someone’s dead already (Bootstrap Press, 2015), nominated for a California Book Award; and Heaven Is All Goodbyes (City Lights, 2017), which received a 2018 American Book Award, a 2018 California Book Award, was named a 2018 National California Booksellers Association Poetry Book of the Year, and was shortlisted for the 2018 Griffin International Poetry Prize. In their citation, the judges for the Griffin Prize wrote that Eisen-Martin’s work “moves between trenchant political critique and dreamlike association, demonstrating how, in the right hands, one mode might energize the other—keeping alternative orders of meaning alive in the face of radical injustice … His poems are places where discourses and vernaculars collide and recombine into new configurations capable of expressing outrage and sorrow and love.”

Eisen-Martin is also an educator and organizer whose work centers on issues of mass incarceration, extrajudicial killings of Black people, and human rights. He has taught at detention centers around the country and at the Institute for Research in African-American Studies at Columbia University. He lives in San Francisco.

Host of the evening, Mr. Ernest McMillan is a veteran human rights activist with a history of working through the 60’s in Texas, Mississippi, Alabama, and Georgia with the Student Non-Violent Coordinating Committee (SNCC), and throughout the 80’s with the National Black United Front and the United League of Mississippi. McMillan served as the Chairman of the Dallas SNCC from 1967- 1969.

Mr. McMillan received an Associate of Arts degree in History and Government at Brazos Junior College in Texas and has completed further study in history, government, and political science at Morehouse College in Atlanta, UT Arlington, and the University of Houston at Clear Lake City, Texas.

He has extensive experience in counseling of both youth and adults. Additionally, he has worked successfully in management positions involved with the delivery of social services, organizing and planning resources, and coordinating activities to meet specific objectives. Mr. McMillan initiated the first Drug Prevention Program for African-American youth in Houston in 1981. He has developed support systems for ex-offenders and drug abusers as founder of People United for Justice for Prisoners in Dallas, Texas, and as a counselor for the Alternative Drug Abuse Program of VGS, Houston, Texas. Mr. McMillan also served as project manager at the Communities-In-School program at Wesley Elementary School, Houston.

In 1984, McMillan founded the Fifth Ward Enrichment Program, a non-profit, community based, youth development initiative. He served as its Chief Executive Officer, and after twenty-three years at the helm, he became its Executive Coach and Senior Adviser.  The FWEP continues to operate in Houston’s inner city as an effective support and intervention system for young African-American and Hispanic males to this day

Currently, McMillan resides in Dallas, Texas where he volunteers extensively with several local and international efforts including the Dallas Peace Center, IFCO/ Pastors for Peace, and as a 2011 delegate to Witness For Peace’ Human Rights Delegation to Honduras. He became the Director of Educational Programs at Youth Believing in Change (YBC) after serving as a volunteer mentor, coordinator of the boys’ mentoring program and as a classroom facilitator there.

He most recently served as Curator for Community Action with Cara Mia Theatre Company. He is excited to be involved routinely in the work of connecting arts with the community and developing avenues to foster and engage multigenerational, multicultural bridges for community uplift.  He is currently volunteering with the Owenwood Farm and Neighbor Space engaging area residents and stakeholders to build and sustain a community garden.

About South Dallas Cultural Center: The South Dallas Cultural Center (SDCC) is a City of Dallas Office of Cultural Affairs owned community center with a wide variety of programs inspired by the vibrancy and diversity of the African Diaspora. The SDCC seeks to educate and inspire through the visual, media, literary and performing arts. SDCC has presented some of the most dynamic visual and performing arts in Dallas. Retired Manager Vicki Meek’s decades of service to promote art and racial equity have profoundly influenced the cultural life of Dallas and the development of a whole new generation of African American artists. She is the co-developer of The Institute for Creative Investigation in Puerta Viejo, Costa Rica; Board Chair of Friends of the South Dallas Cultural Center; serves on the Advisory Board of WordSpace and co-founder of African Diaspora–New Dialogues with Karen Minzer and Dee Mitchell of WordSpace. Marilyn Clark, SDCC’s Education Director arranges special DISD school visits for the visiting writers of this series.


OddLot | ArtSpeak

Oddlot is a Dallas based band that features Chris Merlick, Dan Dobson, Chris Chapman and Jay Staton. Since 2011 they have been pursuing their own blend of eccentric music and original songs. Veterans of myriad infamous Dallas bands they have grouped together to become the “Oddlot”!

Mighty Fine Arts presents this exciting opening night of “Mandalas” featuring new work by Jason Cohen. This show opens Saturday Sept 28 with a reception for the artist and will run till Oct 27. The legendary Jason Cohen is a legacy bohemian artist of Dallas culture. He is a shameless practitioner of all things weird and wondrous and has dedicated his talents to undermining the tired and conventional. He is also a man of multiple abilities including artist, musician, entrepreneur, collector, fabricator and Dad.”Mandalas” features a selection of his psycho-meditative stream of consciousness art fungus pieces that eschew the spiritual for the surreal. Come out and get a full dose of Jason and get your mind Mandalazised! Ritual invocation will occur at Opening!

WordSpace is proud to partner with MFA Gallery to host ArtSpeak!


Sign Up For our E-Mailout!
September 2022
S M T W T F S
« Jul    
 123
45678910
11121314151617
18192021222324
252627282930